Dickens is telling a story far too near to his own with the theme of these families forced to see many generations live behind prison walls for the want of a few pounds. The story is one of his strongest and this series tells it honestly and with an incredible strength of cast and script. Little Dorrit was born inside a debtors' prison and has lived her entire life working unendingly and without complaint to make her father's decades long imprisonment there more bearable. She is the first child born there; this fact and his former stature as a gentleman gives him an informal social superiority inside that he enjoys and uses as possible to his personal benefit.
The arrival in London of Arthur Clennam from China to share with his mother the news of his father's death, pushes an already moving story into many surprising turns. Rich and poor, good and bad, people of all social circles find themselves pulled into confronting their changing fortunes. Some who find themselves well-off deal with their new situation far less well than those dealing with adversity. The scandalous secrets, strangling bureaucracy, and crippling debts collide in the compelling BBC/Masterpiece Classic adaptation of Charles Dickens' weighty novel, which debuted in serial form in 1855. Mrs. Clennam (Judy Parfitt), a shut-in, kicks the complex storyline into action when she hires 21-year-old seamstress Amy Dorrit(Claire Foy) just days before her son, Arthur (Matthew Macfadyen),
returns to London after 15 years at sea. Amy lives with her proud father, William in Marshalsea, the debtor's prison where Dickens' own father did time. Despite his mother’s denials, Arthur becomes convinced that there's a connection between the Clennams and the Dorrits, so he attempts to solve the mystery on his own, with help from sniveling rent collector Pancks and hindrance from surly servant Flintwinch and the aptly-named Circumlocution Office. "Dash my buttons!" A good dialogue line to use for this award-winner set in 1820's pre-Victorian London.
Dickens wrote about class tiers within society, levels of wealth, and the injustices that caused. The Emmy writer, Andrew Davies, condensed the novel, reorganized it's events, and added dialogue into making a series actually considered by some to be better than the Dickens book. That it won 6 Emmys. Dickens style was not lost. The series includes the caravan of peculiar, grotesque, quirky, and funny characters; the names being equally odd: Flintwich, Pancks, Fanny Sparkler, Pet, Tattycoram, Chivery, Tip, Affery, & Tite Barnacle. Dickens suspense was mingled throughout the 14 episodes, with the overriding plot related to "Do not forget" inside a watch, and "Make it right" a dad's dying last words, which remains unrevealed till the end (unless you've read the book). Each individual episode ends with suspense, just like Dickens wrote it originally when published in magazine form. PURE Dickens, but BETTER. Fabulous scenes, locations, costumes, hair, dialogue, props, cast, it's all perfection even Dickens would be proud of. You will fall in love with Amy, Little Dorrit way before Arthur! It tis a delightful adventure into period drama, humor sprinkled, intoxicating, till you can feel the grime of Marshalsea Prison, and sparkle to the glamor of the rich in Venice. A sensual presentation of a rags-to-riches tale.
Dickens is telling a story far too near to his own with the theme of these families forced to see many generations live behind prison walls for the want of a few pounds. The story is one of his strongest and this series tells it honestly and with an incredible strength of cast and script. Little Dorrit was born inside a debtors' prison and has lived her entire life working unendingly and without complaint to make her father's decades long imprisonment there more bearable. She is the first child born there; this fact and his former stature as a gentleman gives him an informal social superiority inside that he enjoys and uses as possible to his personal benefit. 
The arrival in London of Arthur Clennam from China to share with his mother the news of his father's death, pushes an already moving story into many surprising turns. Rich and poor, good and bad, people of all social circles find themselves pulled into confronting their changing fortunes. Some who find themselves well-off deal with their new situation far less well than those dealing with adversity. The scandalous secrets, strangling bureaucracy, and crippling debts collide in the compelling BBC/Masterpiece Classic adaptation of Charles Dickens' weighty novel, which debuted in serial form in 1855. Mrs. Clennam (Judy Parfitt), a shut-in, kicks the complex storyline into action when she hires 21-year-old seamstress Amy Dorrit(Claire Foy) just days before her son, Arthur (Matthew Macfadyen), 
returns to London after 15 years at sea. Amy lives with her proud father, William in Marshalsea, the debtor's prison where Dickens' own father did time. Despite his mother’s denials, Arthur becomes convinced that there's a connection between the Clennams and the Dorrits, so he attempts to solve the mystery on his own, with help from sniveling rent collector Pancks and hindrance from surly servant Flintwinch and the aptly-named Circumlocution Office. "Dash my buttons!" A good dialogue line to use for this award-winner set in 1820's pre-Victorian London. 
Dickens wrote about class tiers within society, levels of wealth, and the injustices that caused. The Emmy writer, Andrew Davies, condensed the novel, reorganized it's events, and added dialogue into making a series actually considered by some to be better than the Dickens book. That it won 6 Emmys. Dickens style was not lost. The series includes the caravan of peculiar, grotesque, quirky, and funny characters; the names being equally odd: Flintwich, Pancks, Fanny Sparkler, Pet, Tattycoram, Chivery, Tip, Affery, & Tite Barnacle. Dickens suspense was mingled throughout the 14 episodes, with the overriding plot related to "Do not forget" inside a watch, and "Make it right" a dad's dying last words, which remains unrevealed till the end (unless you've read the book). Each individual episode ends with suspense, just like Dickens wrote it originally when published in magazine form. PURE Dickens, but BETTER. Fabulous scenes, locations, costumes, hair, dialogue, props, cast, it's all perfection even Dickens would be proud of. You will fall in love with Amy, Little Dorrit way before Arthur! It tis a delightful adventure into period drama, humor sprinkled, intoxicating, till you can feel the grime of Marshalsea Prison, and sparkle to the glamor of the rich in Venice. A sensual presentation of a rags-to-riches tale.
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